Thursday, March 28, 2019

Comparing the Novel and Film Versions of Elizabeth Bowen’s The Heat of the Day :: Comparison Compare Contrast Essays

Comparing the Novel and Film Versions of Elizabeth Bowens The hop up of the DayWhen reading Elizabeth Bowens 1949 novel, The Heat of the Day, and then, viewing the movie by the same title, large and small differences are noted. These differences are enough to muddle both the reading and the viewing interesting and not a deadening duplication. When comparing the opening sequences, the differences are striking. Bowens story begins with the interaction between the mysterious Harrison and the determined woman, Louie, in regent(postnominal)s Park the screenwriters version establishes all the characters and places the stories events into a chronological order that changes the preserve of the scene. By discussing the opening scenes in each media it becomes apparent that Elizabeth Bowen has more trustingness in her audience than the screenwriter has in his. Bowen assumes that the reader is capable of comprehending the previous scenes when written from the view of the minds eye. The screenwriter lacks dominance in his viewer and finds it necessary to lose the cloak and dagger tinge in order to make sure the story is understood. Elizabeth Bowens committal to writing is very descriptive. She takes great pains to ensure that her reader sees the environment in which her characters dwell as well as having a clear portray of the personalities and characteristics of each individual. In Chapter Ones opening two sentences, Bowen suddenly paints a portrait of autumn in Londons Regents Park. The readers mind easily drifts into an autumn fashion and remembers fond times of his life when the leaves gently floated down from trees overhead attempting to make do the earth in a riot of color. As Chapter One continues, Bowen establishes her locus in the park describing the open-air theatre with its walled thickets and tall trees, medical specialtyians performing the music of waltzes, marches and overtures, and the varying nationalities of people in attendan ce, not just the side of meat but visitors too. It is at this point that the reader first discovers the comic elements that forget be hidden throughout within the perplexing story. Bowen writes, mothers tired of creation mothers forgot their children as their children forgot them one held her baby as though it had been a dolly and then goes on to say, these were the English (4-5). Here is the dry tongue-in-cheek British humor that brings a quiet giggle to the surface or a smile to the face.

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