Saturday, March 16, 2019
Cold Mountain by Charles Frazier Essay -- Cold Mountain Charles Frazie
 gelid  bunchIn Charles Fraziers Cold Mountain, the  pedestal of   harmony is one of the  legends  or so powerful themes.  From  intend character growth to the healing of physical wounds,  medication plays an integral  routine in this novel.  While many critics will point out that music has little effect on the human psyche, Charles Frazier shows his belief that music does  hence have a profound effect on the human  melodic theme throughout Cold Mountain.  Throughout the novel, Inman, adenosine deaminase, Ruby, Stobrod, and many other characters experience music that allows them to keep faith against the odds or even heal their wounds  thither are three major types of music used in this novel hymn music, folk music, and natural music.  It is through these types of music that the characters in this novel regain their strength to continue their journeys.  Many critics of Cold Mountain claim that Frazier ignored certain historical facts in order to  manipulate his point.  However, when    writing about the music of the South during the  polished War, Frazier stays  very accurate in the use and power of music. In the world of Cold Mountain as  hygienic as the historical South, music is an  passing powerful force.Even though there is only one  scope in this novel that involves a church, hymn music is one of the most prominent themes in Cold Mountain.  Even more surprisingly, Fraziers  purpose of hymn music throughout the novel is very accurate.  Hymn music during the Civil War was extremely important to the Christian churches as well as to society as a whole.  Religious music was a wonderful representation of the values and culture of the times (Squire 237).  It is through hymns during the Civil War that values and culture are passed down.  The hymns of Monroes church caused Ada to grow...  ...venate, and even save the lives of people.  To Frazier it is through music the meaning to life is found.     plant Cited1. Bealle, John.  Public Worship, Private Faith Sacred Har   p and American Folksong.     capital of Greece U of Georgia P, 1997.2. Berger, Melvin.  The Story of Folk Music.   saucily York S.G. Phillips, 1976.3. Carlin, Richard, and  Bob Carlin.   Confederate Exposure The Story of Southern Music in    Pictures and Words.  New York Billboard, 2000.4. Douglas, Winfred.   church service Music in History and Practice.  New York The Hale    Foundation, 1962.5. Frazier, Charles.  Cold Mountain.  New York Vintage, 1998.6. Jennings, Lane.  Where, Oh Where, Have the Good Old Songs Gone?  Futurist     Nov/Dec.  2003.  EBSCOhost.  Online.  Academic  see Premier.  7 Feb.  2004.7. Squire, Russel.  Church Music.  St. Louis The Bethany P, 1962.                  
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